He sat for a minute tattooing with his fingers on the table, before speaking. “No,” admitted Mr. Simson with generosity. “It’s only natural. It’s a fight to the finish between me and the Bourgeois. I cover them with ridicule and contempt and they hit back at me in the only way they know.”!

“That’s the idea,” answered Flossie; “a heart to heart talk between you and me, and nobody else. Half-past four. Don’t forget.” “Thank you,” she answered. “He would think it kind of you, I know.”

They discussed ways and means. Joan calculated she could get through on two hundred a year, putting aside fifty for dress. Madge was doubtful if this would be sufficient. Joan urged that she was “stock size” and would be able to pick up “models” at sales; but Madge, measuring her against herself, was sure she was too full. She had been busy at her machine when Joan had entered; and a pile of delicate white work lay folded on a chair beside her. Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them.